In theory, it could even have many more than two stencils to make the finished image, although I have not tried it. While the “O” was a very simple case, this method can be expanded to more complicated images. Then use one stencil followed by the other to create an “O” with no lines through it! Cut your finished pieces out on separate stencils.Change the color and overlap them if you want to see what the finished stencil will look like.Do this to the original pieces of the “O” as well. Select these pieces, right click, and hit “Make Compound path”.If you got it right, it should look something like this: Select them, click “Object -> Convert To Path” and then try the previous step again. NOTE: If, like me, you have the whole thing disappear when you click “Intersect”, it is likely that one or both of your images are not paths. Using the Modify Panel, click “Intersect”. Select both the rectangle and the copy of the “O”, which should still be in the same relative position.You should now have a rectangle that is just slightly bigger than the original one. Select both rectangles and weld them together.This is something you will have to judge for yourself. We need to enlarge it just slightly to ensure a little wiggle room in our finished stencil. Now, select just the rectangle on the second copy of your design.Working on just the first copy with both the “O” and the rectangle selected, Click “Subtract”. Open the modify panel (or the tools to modify paths if you are working with another software).Select both your design and the rectangle.Create a thin rectangle in a contrasting color to your design and place it over your image.Here, I will illustrate with Silhouette Studio. If you don’t have access to this, Silhouette Studio, Inkscape, or Cricuit Design Space should work just fine. Typically, I open mine in Adobe Illustrator. First, open up your image in your editing software.That way you only have to cut and weed your image once (or twice for these two part stencils) instead of over and over again.Īs I outline my solution, I will illustrate with the letter “O” as a simplified case to demonstrate how it works. However, if you want to put the image on a bunch of things you may want to use a stencil. If you want to make one car with an image like the tools above, you are probably better off just cutting it out of card stock without any hassle converting it to a stencil. The idea is to use two stencils instead of one so that you can have details that you can’t get with just one stencil. Reflecting on it, I have seen videos of spray paint artists using a series of stencils to make awesome composite pictures. While I am sure I am not the only person to do this, it was a light bulb moment for me. Then, what if you really want to stencil a more complex image on your card? How can you create more detailed and intricate stencils? You need a stencil that looks impossible, and you need it now! Luckily for you, now you can. ![]() ![]() On the other hand, this design is not so good: ![]() It will cut out easily with no inner parts left to fall out. This is why every stencil font has at least one, usually two connections to the middle of the “O”.įor example, the following is an excellent stencil design. If you cut out a stencil for the “O” there will be an outer circle and an inner circle. ![]() If you are having trouble understanding this, think about the letter “O”. In summary, there can be no inner shapes or details in your finished stencil. Unless you want to hand position each and every element, you have to be very careful in creating or selecting your stencil design. You can’t have any designs that have inner details, or they will not be connected to your finished stencil. Have you ever tried to make your own stencils with your cutting machine? If you have, you know that your design options are limited.
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